{"id":22,"date":"2020-01-13T15:46:01","date_gmt":"2020-01-13T14:46:01","guid":{"rendered":"http:\/\/zachmitlas.com\/?page_id=22"},"modified":"2020-04-30T12:40:41","modified_gmt":"2020-04-30T10:40:41","slug":"22-2","status":"publish","type":"page","link":"https:\/\/zachmitlas.com\/index.php\/22-2\/","title":{"rendered":""},"content":{"rendered":"\n
\n
\n

ZACH MITLAS<\/span>
N\u00e9 en 1987 \u00e0 Portland, Oregon, \u00c9tats-Unis<\/span>
Vit et travaille \u00e0 Clermont-Ferrand<\/span>
44 rue du Port, 63000 Clermont-Ferrand<\/span>
zmitlas(at)gmail.com<\/span><\/a><\/p>\n

\u00a0<\/p>\n

Fondateur de Off the Rail<\/a><\/span>, vitrine d’art contemporain, Clermont-Ferrand<\/span>
Ancien r\u00e9sident \u00e0 l\u2019association\/collectif Les Ateliers<\/a><\/span>, Clermont-Ferrand \/ avril 2016 – mars 2017<\/span>


FORMATION:<\/span><\/p>\n

2010\/2013 Master 2 (MFA) Art Contemporain \u2013 Peinture<\/span>
Master 2 (MA) Histoire et Th\u00e9orie de l\u2019Art Contemporain, San Francisco Art Institute,<\/span>
San Francisco, California, USA<\/span><\/p>\n

2005\/2009 Licence d\u2019Art Contemporain \u2013 Peinture, Linfield College, <\/span>McMinnville, Oregon, USA<\/span><\/p>\n


EXPOSITIONS:<\/span><\/p>\n

2019
The Third Space (All that we have in common)<\/em>, commissaire Jovanka Popova, r\u00e9seau CreArt, co-sponsoris\u00e9 par l’Union europ\u00e9enne, Zagreb, HR\u00a0 \/ Clermont-Fd, FR<\/span><\/p>\n

2018<\/span>
Exotic landscape<\/em>, Atelier ouvert en collaboration avec Carole Manaranche, Clermont-Ferrand<\/span><\/p>\n

2017
Envers des contours<\/em>, La Serre, Saint-\u00c9tienne (solo)<\/span><\/p>\n

2016
Ricomagus<\/em>, L\u2019association\/collectif Les Ateliers, Clermont-Ferrand
<\/span>Regarder voir<\/em>, Les Ateliers, Clermont-Ferrand, commissaire Armance Rougiron<\/span><\/p>\n

2014
Parcours d\u2019artistes<\/em>, Les Passerelles, Pontault-Combault<\/span><\/p>\n

2013
Everyday Worlds: Interiors and Exteriors<\/em>, The De Young Museum, San Francisco, California<\/span><\/p>\n

2012
Vernissage<\/em>, SFAI Graduate Exhibition, Phoenix Hotel, San Francisco, California
<\/span>Crappy Birthday<\/em>, Swell Gallery, San Francisco Art Institute (SFAI), San Francisco, California<\/span><\/p>\n

2011
Obsolescenteds<\/em>, Diego Rivera Gallery, SFAI, San Francisco, California<\/span><\/p>\n

2010
Une est semblable, un est le m\u00eame<\/em>, Centre d’Art – Marnay Art Center, Marnay-sur-Seine
<\/span>Une totalit\u00e9<\/em>, Association France \/ Grande-Bretagne, Bourges<\/span><\/p>\n

2009
Echo<\/em>, Alpern Gallery, Portland, Oregon
<\/span>Graduate Exhibition<\/em>, Blackfish Gallery, Portland, Oregon
<\/span>From the Bridge<\/em>, The Rake Art Gallery, Portland, Oregon
<\/span>String Response<\/em>, Linfield College, McMinnville, Oregon <\/span>
(Peinture performance avec Portland Cello Project)<\/span><\/p>\n

2008
Forgetting Hesitance<\/em>, Ford Street Studio Gallery, McMinnville, Oregon
<\/span>Aquae Sextae: Work from Aix<\/em>, Linfield Studio Gallery, McMinnville, Oregon<\/span><\/p>\n

2007
Aquae Sextae: Travaux \u00e0 Aix<\/em>, American University Center of Provence, Aix-en-Provence<\/span><\/p>\n


WORKSHOPS\u00a0:<\/span><\/p>\n

2018
L’usage de la photographie comme mati\u00e8re sculpturale dans l’art contemporain<\/em>, avec Kristian Ko\u017eul et Lea Vene, r\u00e9seau CreArt, Mus\u00e9e d’art contemporain de Zagreb, HR<\/span><\/p>\n


BOURSES:<\/span><\/p>\n

2019
Aide \u00e0 la cr\u00e9ation, DRAC Auvergne-Rh\u00f4ne-Alpes
<\/span>Bourse de r\u00e9sidence, Atelierhaus Salzamt, Linz, AT, r\u00e9seau CreArt, <\/span>co-sponsoris\u00e9 par l’Union europ\u00e9enne<\/span><\/p>\n

2017
Bourse de production, La Serre, La Ville de Saint-\u00c9tienne<\/span><\/p>\n

2011
Graduate Grant (Bourse d\u2019\u00e9tudes), San Francisco Art Institute<\/span><\/p>\n

2010
Bourse de r\u00e9sidence, Fondation T\u00e9not, Centre d\u2019Art – Marnay Art Center (CAMAC)<\/span><\/p>\n

2008
Helen Blumenstiel Endowed Scholarship for the Arts (Bourse d\u2019\u00e9tudes), Linfield College<\/span><\/p>\n

2005
Linfield College Competitive Scholarship in Art (1\u00e9 prix) (Bourse d\u2019\u00e9tudes), Linfield College<\/span><\/p>\n


R\u00c9SIDENCES:<\/span><\/p>\n

2019
Atelierhaus Salzamt, Linz, AT, r\u00e9seau CreArt, co-sponsoris\u00e9e par l’Union europ\u00e9enne<\/span><\/p>\n

2009
Centre d’Art – Marnay Art Center (CAMAC), Marnay-sur-Seine
<\/span>The Artcroft Foundation, Carlisle, Kentucky<\/span><\/p>\n


PUBLICATIONS \/ PRESSE:<\/span><\/p>\n

Troisi\u00e8me lieu\u00a0: tous ce que nous avons en commun, Ville de Clermont-Ferrand<\/em>, r\u00e9seau CreArt, 2019.
<\/span><\/p>\n

Le temps dans l’art<\/em>, Spot n\u00b0 06\u00a0: CE Michelin, septembre\/octobre, 2019.<\/span><\/p>\n

Tre\u0107i Prostor\u00a0: Sve \u0161to nam je zajedni\u010dko<\/em>, HDLU Zagreb, r\u00e9seau CreArt, 2019.<\/span><\/p>\n

The use of photography as a sculptural material in contemporary art<\/em>, HDLU Zagreb, r\u00e9seau CreArt, 2018.<\/span><\/p>\n

Parcours d\u2019artistes 2014<\/em>, Arts dans la ville, Pontault-Combault, novembre 2014.<\/span><\/p>\n


COLLECTIONS PUBLIQUES:<\/span><\/p>\n

La Maison Verte de Marnay-sur-Seine
<\/span>The Artcroft Foundation, Carlisle, Kentucky<\/span><\/p>\n

\u00a0<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

ZACH MITLASN\u00e9 en 1987 \u00e0 Portland, Oregon, \u00c9tats-UnisVit et travaille \u00e0 Clermont-Ferrand44 rue du Port, 63000 Clermont-Ferrandzmitlas(at)gmail.com \u00a0 Fondateur de Off the Rail, vitrine d’art contemporain, Clermont-FerrandAncien r\u00e9sident \u00e0 l\u2019association\/collectif Les Ateliers, Clermont-Ferrand \/ avril 2016 – mars 2017 ZACH MITLASN\u00e9 en 1987 \u00e0 Portland, Oregon, \u00c9tats-UnisVit et travaille \u00e0 Clermont-Ferrand44 rue du Port, 63000… <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/pages\/22"}],"collection":[{"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":27,"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/pages\/22\/revisions\/584"}],"wp:attachment":[{"href":"https:\/\/zachmitlas.com\/index.php\/wp-json\/wp\/v2\/media?parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}